The Firm
Hilex is an independent specialised law firm, with strong international relationships, efficient in its activity and fair in the charging policy. The Clients and their needs are always the centre of our attention.
FIVE KEY
STRENGTHS
Excellence
Legal skills, innovation, specialization, and creativity allow us to ensure high standards of assistance in terms of responsiveness and quality in complex cases.
We form well-balanced and close-knit teams, composed of partners closely involved and assisted by associates with skills and experience suitable to the complexity of the assignment.
Special care
Special care to the Clients’ needs and attention to the uniqueness of their projects. We are always guided by the Client’s interest, respect for others and the values of our profession. It is our priority to build a personal rapport with the Client.
Confidentiality
In the times we live in what you show often seems to matter more than what you really are. Confidentiality is an overarching value of the legal profession in every aspect of the relationship with the Client.
Our Clients know they can trust professionals guided by the most rigorous ethical and conduct standards.
Fees
We are aware that legal fees must always be under control. We never come up with unpleasant or unexpected surprises and strive to find together with the Client a tailor-made fee structure, with flexibility, fairness and transparency.
Our
offices
One of the finest examples of a Neoclassical palazzo in Milan, this was built in 1812 to a design by Giovanni Perego, stage designer at La Scala, assisted by the engineer Innocenzo Giusti. As Manzoni narrates in The Betrothed (I Promessi Sposi), the building stands on a site once occupied by a Capuchin convent.
The grandiose facade, a product of the designer’s theatrical experience, reworks certain solutions drawn from the nearby Palazzo Serbelloni. Above a rusticated basement is a magnificent loggia with dual height fluted iconic columns detached from the wall behind. A continuous frieze by Pompeo Marchesi or his pupils depicting episodes from Milan’s history runs between the windows on the first and second floors. The front is crowned with a balustrade featuring statues of divinities, sculpted by Marchesi and by Graziano Rusca.
See also the square-plan courtyard of honour with a Doric portico and the ballroom on the piano nobile, decorated with stuccowork and frescoes.
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